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Click here to watch a video tour of what the inside of the site looks like. Take the tour now. Click here for our system of mastery for all skill level blues harmonica students. Today I wanted to answer another very common question which nobody here asked What is the difference between CM and CR elements? It turns out there were many evolutions of the element Shure put in its bullet style microphones.
Not a CM at all. The older the element, the better it is, in MOST people's opinions, and that means "for getting a big fat warm blues tone through a tube amp. Let me try to describe the difference this way. The difference between a black label CR and a dual impedance CM? Anyone can hear it. The CR is warmer, fatter and grittier. Between a white label CR and single impedance CM? Most good players can hear it. Between any two adjacent models?
A really good player can hear it - but the variation from one element to the next of the SAME category is as big or bigger a difference.
The Shure CM's and CR's are excellent elements with that "brown sound" - anything from the single impedance CM on up is very, very good. Here's the chronology: -Model introduced - "R5" element ("Black Label CR") -switched to ("White label CR") - switched to R7 single impedance CM with opaque epoxy Missing: dating.
In other words, moving from one model to the next improves your odds, but may or may not result in an appreciably better element. I put single imepdance CM elements in my wood mics by default and they are very, very good elements.
In fact, the difference between the single and dual impedance CM's is a good deal greater than any other interval. Remember that your cupping technique is the biggest single factor, by far, in how good ANY mic sounds. But it has to be tight! That means sealing off the unplayed holes on the front of the harp as well as sealing the rear of the harp to the mic. You can prove this to yourself, and learn where you are leaking both in front and in back by temporarily sealing off parts of the harp with masking tape.
NEVER clean a magnetic element with steel wool, and if you use it to prepare a shell for painting, make sure that you remove the element from the shell and store it in a zip lock plastic bag or something to prevent it from coming into contact with the metal dust from the steel wool.
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The magnet will suck the fine steel into the magnetic assembly and the element more than likely will need to be disassembled and thoroughly cleaned. Using brass wool is not a good idea either as the metal dust can still get into the assembly and cause problems. If you must clean up your element, use a lint free cloth with water or alcohol if needed and do not stick anything into the little holes in the face of the element.
If your element needs to be taken apart and cleaned, do not attempt to do this yourself. Send it to a qualified technician. I believe there are 15 or more that all look the same. There are some models that have only a single hole in the middle of the diaphram cover element model 99AM Some have the large center hole with 6 small holes around the center hole, and the ones we all know and love that have a total of 14 holes in the diaphram cover.
There are also some that have a raisesomewhat smaller diaphram with a single hole that were used in military and other handheld communications mics that were designed for use in very noisy environments. These were designed to be put practically in your mouth when you speak into them. They came with a rubber piece on the mic cover that you put right on your upper lip to speak into. The element model was 99D There is also a smaller version of the controlled magnetic transducer that Shure used in the model Commando microphone.
They are much lower in gain and not as gritty either. Most of the elements that have a single, or fewer than normal 14 holes in the diaphram cover were meant for use in handheld communications mics that were designed to keep out stray noise, and were made to be spoken into with the mic positioned very close to your mouth without being overdriven. Inthere were only two different models that I know of.
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The first model to be used in the green bullet mics was 99A Then they switched to the model 99B86 either sometime in lateor earlyto be used in the Inthe models 99G86 and the 99H86 were used in other types of microphones.
Inthe medium impedance model 99E86 was introduced, which was a ohm element. Inthe model 99S was introduced which was a dual impedance element used in the D green bullet mic. Over the years, Shure used many different model numbers on the CR and CM elements which were used in many different types of microphones for other companies as well as their own.
There are a number of models that are all high impedance, as well as a bunch that are all low or medium impedance models. The F, K, and X are really not common models, but I have seen a few, mostly in older model mics of various types. The first medium impedance models to ohms were mostly labeled as 99E86 being the most popular, and some others that were used mainly in handheld and desk stand communications mics that were labeled 99AP, 99AT, 99AF, and the 99E86 model mentioned above.
Shure element dated nh would read that was founded in shure wireless receiver. To , ohms assures a crystal element, garrard sp belt- drive turntable with. This is a little pieces of the serial number of shure's top-of-the-line super-track. Certain types of in-ear monitoring systems. Shure switched the labels to white before they stopped making CR elements, and these are very, very close to the black labels for a little less money. The diaphragm in a CR element is affixed to the "pin" (which transfers the acoustic energy down into the coil to create electric energy) in a different manner than the later CM elements, which are countryconnectionsqatar.comg: dating. At countryconnectionsqatar.com we are committed to providing you with the Dating Shure Elements best selection of local Shemales, TS, TV, CD, transvestites, transgender, TS Girls, Cross Dresser and ladyboy escorts that are driven to make sure you Dating Shure Elements are satisfied with the time you spend together and strive to ensure that your experience is one that you will /
A common low impedance model is the 99C86 which is a 15 ohm model. One noticable thing about the low and medium Z models is that they have a red, blue or purple colored plastic bobbin as compared to the white ones used on all the high Z models that have a plastic bobbin.
The medium Z models can be used with good results for harp with most amps, but are better suited for amps with lower than normal input impedances. When used with most amps that have a 1 meg ohm input impedance or higher, they will be noticeably weaker than the high Z models, but will usually have a half way decent tone.
As far as construction, they are all made the same way with the same materials with the exception of the 99D used in the military handheld mics.
I believe that other than having different impedances, all the different model numbers were mainly used to identify the elements used in all the different models of mics that they were used in. As you can see, there are a bunch of high Z models that are all the same but have different model numbers.
The same goes for the medium Z models. Shure made these elements for use in many other companies microphones, and likely used a certain model element for each one.
As far as I know, the high and low impedance models have the same frequency response specs, and were made the same way with the exception of the models that have fewer holes in the diaphram covers. So I would think that it just made it easier for Shure to keep track of what types of elements went to the different companies for use in their mics. As far as the green bullet mics, Shure used at least four different models of elements in them, not counting the current model now being used in the DX which I believe is model 90A First the black CR 99A86, then 99B86, and in when Shure began to use the white labels and plastic bobbins, they were still being called controlled reluctance transducers, but they changed the model number from 99B86 to 99G Physically, the two elements are identical.
The 99A86, and the 99H86 are also identical in construction. The only difference between the two pairs is that the 99B86 and 99G86 both have the negative lead of the elements grounded to the element body. The 99A86 and the 99H86 do not. Shure used the 99G68 in the mics up until when they made the transition from calling them controlled reluctance to controlled magnetic.
They then switched back to the 99B86 model number, and continued to use that model until the creation of the 99S element inwhich was a dual impedance model that they decided to use in the green bullet mics. When the move to Mexico took place, the shell tag was changed to the silver and black type now being used on the DX mics. You can see it glued to the center of the diaphram of all CR elements. I have never seen a CM with this disc. There is also a slight difference between the two as far as how the winding wires were ran to connect to the lead wires of the element.
This is likely attributed to the metal disc on the center of the diaphram. As I mentioned earlier, you will occasionally find one that really stands above the rest. Trying to find one today could put you into debt if you get carried away trying to find the ultimate element! This is because there are now a bunch of people seeking out every microphone ever made that has a CM or CR element in it on.
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Some of these people seem to have deep pockets too and are bidding on every mic they can find with a CR in it. Let the CR hoarders you all know who you are pay out of their noses for them on.
The latest version of the infamous green bullet mic is the model DX. Now the DX mic is a different story. The new DX has a regular dynamic element with a plastic diaphram in it. One very important thing to keep in mind is that these elements are pressure actuated.
They must be mounted properly with the proper gasket to form an airtight seal around the front, and the back of the element. As many of you already know, the cupping technique can change the tone of the mic drastically. Forming a nice airtight chamber with your hands is sometimes difficult, but doing this will allow you to get a bunch of different tones out of your mic. Choose the right shell, and have a reputable mic builder build your mic for you to make sure it done right.
I think they were a better harp mic than the DX by a long shot! Shure introduced one of the best, if not the best crystal mic ever made in The A. It was first introduced in and was identical to the green bullet physically, but the shell was painted grey and was slightly smaller than the It did not have any vent holes in it like thewhich had 2 small holes drilled in the bottom side of the shell.
It came with a chrome plated grille and a Bimorph Rochelle Salt crystal. It has a frequency response of 30 to 7, Hz, and output rated at 50db below 1 volt per microbar! In other words, some serious output.
It was made for the same uses that the was made for but it was a stronger, louder mic, and needed an input impedance of at least 1 meg ohms, but preferably higher like 3 to 5 meg ohms. Over the years, Shure changed the shape of the element but used the same bimorph rochelle salt crystal.
They were made up until before being discontinued. I have seen them labeled as 99A94, 99B94, and 99A47, and the date was usually clearly stamped below the model on the back side of the crystal. These days, the crystal which was the 99ABA47 is better known by Shures replacement model number which is R7.
Over the years, Shure used a few different types of tags on the shells. The very first ones were a small metal tag, black and silver in color.
Shure introduced the Controlled Reluctance Transducer element in The elements had a unique design that made them immune to temperature and climate conditions. It consisted of a brass disc that was used as the main support for the built in transformer, magnetic assembly, diaphram, armature assembly and cover. Currently I've got about 70 Shure controlled-magnetic and controlled-reluctance cartridges on hand, ranging between to All of these elements are tested by me for function and tone. If you're looking for something specific, drop me a note and I'll check if I have something similar. [email protected]: dating. Mar 08, 2 digit elements started in January with the letter A,. Write down the alphabet A through Z,. A=Jan B=Feb L=Dec M= Z= Once you hit L=Dec,. your done with the months,. So you would read an element dated QJ as Q= J=Oct One dated NH would read N= H=Aug Shure seemed to use the months A-L only.
Shortly before Shure moved from Chicago to Evanston inthey switched the tags to an embossed type silver and blue tag. After the move, the tag again changed to the smooth type and were an off blue color. The older smaller shells were not much smaller than the full sized shells.
You could also put one of the smaller grilles on a full sized shell with the same result.
They do however seem easier to hold than the larger shells for some people. I never collected many of these because finding one in good condition is difficult, and finding one that still works is a lot more difficult, but there are a few out there. This was the model 5, which came in three different impedance versions, the model 5E low Z, model 5F medium Z, and model 5G high Z.
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All three models came with the smaller version shell in all brushed chrome. Needless to say, they are very rare to find these days. The early Aststic crystals were made by the Brush Co.
Both the early Shure and Astatic mics had Brush Co. Shure went on to patent theirs and so did Astatic. The most popular of the Astatic crystals is the ever popular MC The JT30 is by far the most popular of the Astatic mics. Many players like them because they are slightly smaller in diameter than the Shureand they have a nice old art deco look to them.
These are the mics that made the MC popular with harp players. It seems to me that the older ones have a much fatter tone to them. In other words, too crisp in the high end, and not enough low end. Some of the older ones were very good and had excellent low end response and grit, but most, especially the last of them were lacking low end response and sounded thin.
They had a signature sound for sure and were preferred by many players who like their tone.
In my opinion, as compared to a typical CR or CM, the MC does not have the grit and growl that the Shure magnetic elements have, and they usually lack low end response. Some have a decent full tone, and some are very thin and have no bottom end at all. I did however purchase a few crystals from Astatic in that sounded very good. From then on, until they were discontinued, the tonal quality went down fast.
When the word got out that the JT30 and the MC were being dropped from the Astatic line, people started buying the mics and elements like crazy, including me. I bought 2 Blues Blasters and 2 spare MC crystals. I sold all 4 elements immediately. They were all very thin sounding, no bottom to speak of, and weak to top it off. They sounded as if Astatic took their batch of rejects from the past few years and stuffed the last run of mics with them.
I, and many many others were very disappointed in the quality of those crystals. The Hohner Blues Blasters are still being made with small crystal elements made in Japan. I assume they were made by Aiwa, or possibly by Argone. They have a very good bottom and strong mids without overpowering highs. Still in the original box with tags and all.
Brand new in the box basically. Check it out in the pictures section along with my very rare small shell, all brushed nickel modeland examples of all the mics and elements mentioned on this website.
I believe it was in that Shure began using a 3 digit date code. The first digit is the year of manufacture, and the last two digits are the week of the year that they were made.