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Ingrid Bergman [a] 29 August - 29 August was a Swedish actress who starred in a variety of European and American films, television movies, and plays. Bergman was born in Stockholm to a Swedish father and a German mother, and started her acting career in Swedish and German films. Her introduction to Americans came in the English-language remake of Intermezzo Mary's , and Joan of Arc , all of which earned her nominations for the Academy Award for Best Actress ; she won the award for Gaslight. In , she starred in Roberto Rossellini 's Stromboli , following the revelation that she was having an extramarital affair with the director. The affair and then marriage to Rossellini created a scandal in the United States that forced her to remain in Europe for several years, during which she starred in Rossellini's Journey to Italy , now critically acclaimed.
She mainly grew up in Sweden, but spent the summers in Germany, and spoke fluent German. When she was two years old, her mother died, and when Ingrid was 13, she lost her father, who had been an artist and photographer. He had wanted Ingrid to become an opera star and, during his lifetime, had her take voice lessons for three years.
But she said she always "knew from the beginning that [she] wanted to be an actress," sometimes wearing her mother's clothes and staging plays in her father's empty studio. Her father documented all her birthdays with a borrowed camera. After her father's death, she was sent to live with his sister, Ellen Bergman, who died of heart disease only six months later. Ingrid then moved in with her Aunt Hulda and Uncle Otto, who had five children.
She would also visit with another aunt, Elsa Adler, whom the young girl called "Mutti," according to family legend. Later, Bergman received a scholarship to the state-sponsored Royal Dramatic Theatre Schoolwhere Greta Garbo had some years earlier earned a similar scholarship.
Chandler notes that this was "totally against procedure" at the school, where girls were expected to complete three years of study before getting such acting roles.
Her first film role after leaving the Royal Dramatic Theatre was a small part in Munkbrogrevenalthough she reportedly had previously been an extra in the film Landskamp. She went on to act in a dozen films in Swedenincluding Intermezzo which is graced by a leading performance by Ingrid Bergman her firstin a role created especially for her, and En kvinnas ansiktewhich was later remade as A Woman's Face with Joan Crawfor and one film in GermanyDie vier Gesellen The Four Companions Unable to speak English, and uncertain about her acceptance by the American audience, she expected to complete this one film and return home to Sweden.
Her husband, Dr. She arrived in Los Angeles on 6 Mayand stayed at the Selznick home until she could find another residence.
According to Selznick's son Danny, who was a child at the time, his father had concerns about Ingrid: "She didn't speak English, she was too tall, her name sounded too German, and her eyebrows were too thick. Bergman was soon accepted without having to modify her looks or name, despite some early suggestions by Selznick.
Selznick understood her fear of Hollywood make-up artists, who might turn her into someone she wouldn't recognize, and "instructed them to lay off".
He was also aware that her natural good looks would compete successfully with Hollywood's "synthetic razzle-dazzle".
In a letter to William Hebert, his publicity director, Selznick described a few of his early impressions of Bergman:. Miss Bergman is the most completely conscientious actress with whom I have ever worked, in that she thinks of absolutely nothing but her work before and during the time she is doing a picture She practically never leaves the studio, and even suggested that her dressing room be equipped so that she could live here during the picture.
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She never for a minute suggests quitting at six o'clock or anything of the kind Because of having four stars acting in Gone with the Win our star dressing-room suites were all occupied and we had to assign her a smaller suite. She went into ecstasies over it and said she had never had such a suite in her life All of this is completely unaffected and completely unique and I should think would make a grand angle of approach to her publicity Intermezzo became an enormous success and as a result Bergman became a star.
The film's director, Gregory Ratoffsaid "She is sensational", as an actress. This was the "sentiment of the entire set", writes Lifeadding that workmen go out of their way to do things for her, and the cast and crew "admired the quick, alert concentration she gave to direction and to her lines". According to one of her biographers, Charlotte Chandlershe had at first considered the Nazis only a "temporary aberration, 'too foolish to be taken seriously'.
She believed Germany would not start a war. Chandler adds, "Ingrid felt guilty all the rest of her life because when she was in Germany at the end of the war, she had been afraid to go with the others to witness the atrocities of the Nazi extermination camps ". Jekyll and Mr.
Hydeall in the United States, Bergman co-starred with Humphrey Bogart in the classic film Casablancawhich remains her best-known role. In this film, she played the role of Ilsa, the beautiful Norwegian wife of Victor Laszlo, played by Paul Henrei an "anti-Nazi underground hero" who is in Casablancaa haven from the Nazis.
There is something mystical about it. It seems to have filled a need, a need that was there before the film, a need that the film filled".
After Casablancawith "Selznick's steady boosting", she played the part of Maria in For Whom the Bell Tollswhich was also her first color film. For the role, she received her first Academy Award nomination for Best Actress. The film was taken from Ernest Hemingway 's novel of the same title and co-starred Gary Cooper. When the book was sold to Paramount PicturesHemingway stated that, "Miss Bergman, and no one else, should play the part".
His opinion came from seeing her in her first American role, Intermezzoalthough he hadn't yet met her. A few weeks later, they did meet, and after studying her, he said, "You are Maria! The following year, she won the Academy Award for Best Actress for Gaslighta film in which George Cukor directed her as a "wife driven close to madness" by her husband, played by Charles Boyer.
The film, according to Thomson, "was the peak of her Hollywood glory". Mary'sopposite Bing Crosbyfor which she received her third consecutive nomination for Best Actress. Bergman also starred in Saratoga Trunkthough the film was originally shot in but not released until She was a student of the acting coach Michael Chekhov during the s.
Chekhov acted with Bergman in Spellbound and received his only Academy Award nomination for his performance. Bergman had championed the role since her arrival in Hollywood, which was one of the reasons she had played it on the Broadway stage in Anderson's play.
The film was not a big hit with the public, partly because of the scandal of Bergman's affair with Italian film director Roberto Rosselliniwhich broke while the film was still in theatres. Even worse, it received disastrous reviews, and, although nominated for several Academy Awards, did not receive a Best Picture nomination. It was subsequently cut by 45 minutes, but restored to full length inand released in on DVD. During a press conference in Washington, D.
This led to a lot of publicity and some hate mail. Soon after the war ended, she also went to Europe for the same purpose, where she was able to see the devastation caused by the war. Bergman strongly admired two films by Italian director Roberto Rossellini that she had seen in the United States.
InBergman wrote to Rossellini, expressing this admiration and suggesting that she make a film with him. This led to her being cast in his film Stromboli During production, Bergman fell in love with Rossellini, they began an affair, and Bergman became pregnant with their son, Renato Roberto Ranaldo Giusto Giuseppe "Robin" Rossellini born 2 February This affair caused a huge scandal in the United States, where it led to Bergman being denounced on the floor of the United States Senate.
Ed Sullivan chose not to have her on his show, despite a poll indicating that the public wanted her to appear.
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She had played a nun in The Bells of St. Mary'sand a virgin saint in Joan of Arc Bergman later said, "People saw me in Joan of Arcand declared me a saint. I'm not. I'm just a woman, another human being. As a result of the scandal, Bergman returned to Italy, leaving her husband and daughter Pia. She went through a publicized divorce and custody battle for their daughter. Bergman and Rossellini were married on 24 May Rossellini directed her in a brief segment of his documentary film, Siamo donne We, the Womenwhich was devoted to film actresses.
Rossellini's use of a Hollywood star in his typically "neorealist" films, in which he normally used non-professional actors, did provoke some negative reactions in certain circles. In Bergman's first film with Rossellini, her character was "defying audience expectations" in that the director preferred to work without a script, forcing Bergman to act "inspired by reality while she worked, a style which Bondanella calls 'a new cinema of psychological introspection'".
After separating from Rossellini, Bergman starred in Jean Renoir 's Elena and Her Men Elena et les Hommes, a romantic comedy in which she played a Polish princess caught up in political intrigue.
With her starring role in 's AnastasiaBergman made a triumphant return to working for a Hollywood studio albeit in a film produced in Europe and won the Academy Award for Best Actress for a second time. Its director, Anatole Litvakdescribed her as "one of the greatest actresses in the world". He also offered his description of her at the time:. Ingrid looks better now than she ever did.
Sep 12, Hangrid is real. Hannah Hart officially confirmed that she's dating Ingrid Nilsen in the October issue of DIVA Magazine. Although the pair were heavily rumored to be dating ever since Ingrid's tearful coming-out video - it was never officially confirmed until now. Hannah, who was also the magazine's cover star, spoke out about Ingrid, coming out, maintaining .
She's 42, but she looks divine. She is a simple, straightforward human being. Through all her troubles she held to the conviction that she had been true to herself and it made her quite a person. She is happy in her new marriage, her three children by Rossellini are beautiful, and she adores them.
Bergman made her first post-scandal public appearance in Hollywood at the 30th Academy Awards in when she was the presenter of the Academy Award for Best Picture.
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She continued to alternate between performances in American and European films for the rest of her career and made occasional appearances in television dramas such as The Turn of the Screw for the Ford Startime TV series-for which she won the Emmy Award for Outstanding Single Performance by an Actress. During this time, she performed in several stage plays. She married producer Lars Schmidt, a fellow Swede, on 21 December This marriage ended in divorce in In this movie, she played a dental nurse-receptionist who is secretly in love with her boss, the dentist, played by Matthau.
The New York Times wrote "The teaming of Matthau, whose dour, craggy virility now supplants the easy charm of Barry Nelsonand the ultra-feminine Miss Bergman, in a rare comedy venture, was inspirational on somebody's part.
The lady is delightful as a now 'Swedish iceberg', no longer young, who flowers radiantly while running interference for the boss's romantic bumbling. The two stars mesh perfectly. InU.
Senator Charles H. Percy entered an apology into the Congressional Record for the verbal attack made on Bergman 22 years earlier by Edwin C. Bergman was the president of the jury at the Cannes Film Festival.
Bergman became one of the few actresses ever to receive three Oscars when she won her third and first in the category of Best Supporting Actress for her performance in Murder on the Orient Express Director Sidney Lumet offered Bergman the important part of Princess Dragomiroff, with which he felt she could win an Oscar. She insisted on playing the much smaller role of Greta Ohlsson, the old Swedish missionary. Lumet discussed Bergman's role:. She had chosen a very small part, and I couldn't persuade her to change her mind.
She was sweetly stubborn. But stubborn she was Since her part was so small, I decided to film her one big scene, where she talks for almost five minutes, straight, all in one long take. A lot of actresses would have hesitated over that.
She loved the idea, and made the most of it. She ran the gamut of emotions. I've never seen anything like it. Bergman could speak Swedish her native languageGerman her second language, learned from her German mother and in schoolEnglish learned when brought over to the United StatesItalian learned while living in Italy and French her third language, learned in school.
She acted in each of these languages at various times. Fellow actor Sir John Gielgu who had acted with her in Murder on the Orient Expressand who had directed her in the play The Constant Wifeplayfully commented: "She speaks five languages, and can't act in any of them. Although known chiefly as a film star, Bergman strongly admired the great English stage actors and their craft. This was her final performance on the big screen.
In the film, Bergman plays a celebrity pianist who travels to Norway to visit her neglected daughter, played by Liv Ullmann.
The film was shot in Norway. She was offered the starring role in a television mini-series, A Woman Called Goldaabout the late Israeli prime minister Golda Meir. It was to be her final acting role and she was honored posthumously with a second Emmy Award for Best Actress.
Her daughter Isabella described Bergman's surprise at being offered the part and the producer trying to explain to her, "People believe you and trust you, and this is what I want, because Golda Meir had the trust of the people. Chandler notes that the role "also had a special significance for her, as during World War II, Ingrid felt guilty because she had so misjudged the situation in Germany". According to Chandler, "Ingrid's rapidly deteriorating health was a more serious problem. Insurance for Bergman was impossible.
Not only did she have cancer, but it was spreading, and if anyone had known how bad it was, no one would have gone on with the project. She never showed herself like that in life. In life, Mum showed courage. She was always a little vulnerable, courageous, but vulnerable. Mother had a sort of presence, like Golda, I was surprised to see it When I saw her performance, I saw a mother that I'd never seen before-this woman with balls. Bergman was frequently ill during the filming although she rarely complained or showed it.
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